aesthetics of biomedicine

More to the difficulty of displaying abstract concepts in museum exhibits and installations: triggered by a workshop organised as part of the Birkbeck Pain Project, I wrote a post a couple of months ago about the difficulty of displaying pain. A mostly subjective sensation, pain has few, if any, visible physical correlates. Now there is reason to ask the question […]

Some of us here at Medical Museion have been talking about submitting a proposal for a workshop at the annual Swedish STS meeting, which Nina Wormbs, Sabine Höhler and Adam Netzén at the Division of History of Science and Technology are organising at the Royal College of Technology (KTH) in Stockholm 2-4 May next year. The theme for […]

When meeting with science today, we are most often confronted with words and results. We are presented only with the highlights: We only ever meet science in her gala dress. In these videos I focus on the everyday life of science: Not the words and the results, but the experiences and the processes. These 5 very short films […]

My idea for organizing the Sensuous Object workshop began over a year ago. It originated with my interest in (re) placing the object as central and focusing on the sensuous object, i.e. how we sense objects, come to know them, are affected by them and their presence, how objects can become outcomes of research, how […]

I have just had a paper accepted for a very interesting symposium called Representing the Contentious, organized in London 14 October by Bronwyn Parry, Ania Dabrowska and Wellcome Trust People Award. My presentation contains many images from my PhD Delineating Disease: a system for investigating Fibrodysplasia Ossificans Progressiva that were not presented to the public for reasons I […]

After more than half a year of budget negotations, Medical Museion is now officially part of the EC 7th FWP programme-financed project StudioLab. Inspired by the merging of the artists studio with the research lab to create a hybrid creative space, STUDIOLAB proposes the creation of a new European platform for creative interactions between art and science. […]

I found this interesting – consider it in light of museum materialities and aestethics: “The symposium will also consider why academic and artistic projects are subject to different degrees of ethical oversight and how the final outputs of such projects are shaped by their prospective consumption in the public domain.” See below for the full […]

I’m not sure if Suzanne Anker‘s “Biota” (Porcelain, rapid prototype figurines, 2011) is fun, imaginative, engaging or plainly irritating (the fluttering movements are not kind to my overstimulated synapses): [biomed]nJlf5SB38pk[/biomed] Anyway, it’s an illustration to a talk titled “Fundamentally Human: Contemporary Art and Neuroscience”, which Suzanne Anker is giving at the Suna Kıraç Conferences on Neurodegeneration […]

We’ve just produced this simple piece of genomic jewellery — a necklace made by a gene chip in a thin silver chain (see larger image below). This particular gene chip (BeadChip) is produced by the San Diego-based company Illumina, which develops and manufactures platforms for the analysis of genetic variation and biological function for the rapidly growing sequencing, genotyping and gene expression markets. […]

The installation Genomic Enlightenment, which was pre-showed last night for a specially invited scentific audience interested in “deep sequencing” , has involved a lot of work. This is a movie about the skills, joy and team-work that went into making and putting up the beautiful, glimmering wave of microarrays. [biomed]mo30XgOEjFw[/biomed] The installation can be seen in the entrance hall of Medical Museion […]