recent biomed

One of the challenges for a museum of medicine intent on collecting recent and contemporary medical artefacts is to get an overview of the historical development of medical instruments, medical technological systems and the medical device industry. Trade shows and their catalogues (published or online) are excellent sources. But memoirs and reminiscences of people who have been […]

Seed is running a series of monthly portraits of workbenches of interesting people (like Oliver Sacks, a renowned bat expert, an industrial designer, etc.) The latest portrait, published in yesterday’s online issue, is the lab bench of Martin Chalfie, one of the three who won a medical Nobel last year for the discovery of green fluorescent protein […]

Is it really the case that almost all museum exhibitions dealing with medical themes these days are displaying DNA-images and colourful neuroscanning pictures? Well, at least this is what the organisers of a meeting in Dresden next April seem to be suggesting. I think they are exaggerating a bit :-). But that said, the theme […]

An online-version of Adam’s, Camilla’s and my essay “Between meaning culture and presence effects: contemporary biomedical objects as a challenge to museums” is now available on the website of Studies in History and Philosophy of Science. Here’s the abstract of the paper: The acquisition and display of material artefacts is the raison d’être of museums. But what constitutes a […]

Curators in medical museums that plan to get involved with the powerful practices of contemporary biomedical visualization (we all do, don’t we?) might learn something from the announced ‘Biomedical Visualisations and Society’ seminar and workshop series at the University of Warwick Medical School next spring with the aim  to critically explore the social and political implications of biomedical imaging […]

Two years ago, in January 2007, our own Susanne Bauer co-organised a meeting titled ‘Contested Categories’ here at Medical Museion. Now, a proceedings volume with the same title, co-edited by Susanne and Ayo Wahlberg (formerly BIOS, LSE), has been published by Ashgate. From the back cover: Contested Categories presents a series of empirical studies that […]

Here are some images from last month’s show with Phillip Warnell swallowing a pill camera in Medical Museion’s anatomical theatre: See more images here (the event was originally announced here). (thanks to Bente who published the images on our Danish blog the other day)

Laboratory equipment for rats or mice have begun to fascinate me more and more. Not in the way the rat guillotine was fascinating, but more in the way of how lab equipment can show so many things about biomedical practices, contexts and knowledge production. The picture above is from an article in the October issue […]

Part of the fun of being involved in a medical museum these days is that the notion of ‘biomedicine’ is so much broader than traditional medicine and health care taught in faculties of medicine and health science. As a university institution for biomedical science communication we are, by default as it were, confronted with some of the most fundamental issues in […]

In the last two years, the Office of History at the National Institutes of Health has grown and changed into one of the major players in studies of contemporary history of biomedicine. In 2007 the Office got a new director, Robert Martensen who has a combined medical and historical background; last year, historian of 20th […]

As some of you may have noticed, the online Image & Video Library of The American Society for Cell Biology has been closed since February, and nobody knew whether it would be opened again. Last Thursday the ACSB announced, however, that the site will be re-opened and developed further by means of a $2,5 million […]

Ever noticed that the uniform resource locator (a.k.a. url) of this blog is www.corporeality.net/museion? I’ve just realised there is a url-alike in the same business as ours, namely www.CORPOrealities.org. CORPOrealities is the website of a research project “situated on the very boundary of visual and performative arts and biomedicine”, which free-lance Viennese sociologist and artist Christina […]